early support from ben sims, surgeon, dave clarke, perc, truss, rebekah, norman nodge, and, clouds, happa, samuli kemppi, jerome hill, tripeo, j. tijn, paula temple...

manhattan filmmaker-turned-beatbroker francis hsueh aka policy has been unfolding a skewed yet chic house blueprint across the last three years, as evinced via a series of eps for eminent dancefloor wholesalers such as rush hour and argot – yet his latest seems his most assured and distilled to date. postscript plays street dice with choppy electronics and disrobed rhythm architectures, maxed out but close to the chest, splashed with off-grid percussive patterns and muted jazz textures.
limited edition of 450 copies.

melbournian multi-hyphenate luke brown has his hands in a lot of pots, having dug deep in his dj duo with ricardo ramos, leslie salvador, as well as his ongoing death-disco / dark-synth revisionist twosome, negativ magick. but the past few years have found him exploring more classic, scruffed-up analog house terrain via his latest alias les level, and his six-track debut is purist uncut club gold. bookended by a pair of of mixes of the stellar neo-chicago anthem *house of need*, the rest of the tracks prowl through a host of suave, shuffling, strictly rhythmic variations, from the 3 am skyline seducer *smooth sailing* to the pumping, jazzy jack-groove *working nights*. an expert assemblage by a nuanced craftsman with style to burn.

after whispering the name >the jaydes< for a few months, the dame-music crew is proud to finally reveal their first single >step on light< on a vinyl only release. the jaydes are a collaboration between two friends and studio partners bloody mary and attan. their first remix of anaxander >7 ways< on the last dame-music release was a good introduction to their album, that >step on light< is a hint on what is forthcoming. the album, due in february 2014 will include nine tracks and some serious featuring artists. >step on light< rises from its very strong 80s influences to the 21st century with class and power. the swinging drums and the percussive bass mark the tone and lead the groove all the way till the end.

for their next release, hot creations call upon talented italian duo paul c & paolo martini, whose combined career spans over forty years in the business. true to their personal style and doing what they do best they deliver three tracks bursting with groove and energy, aimed solidly at the dance floor. title track get this! bounces along a prominent bassline, progressing with trippy vocals that swirl into an epic build up, erupting for maximum destruction on the dancefloor.

hot fire! large music strikes again with large wax 5 highlighting four terrific tracks all drenched in groove and soul. uk based artist leigh d oliver gets things started with a sparkling remix from max graef and is followed up by roland nights with the bluesy feel of the shake. side b features a heavy peak time workout from steve mill and closes with pure melodic deepness from irelands deep future.

if chicago and detroit are the cities in which house and techno were born and raised, it was in italy circa 1990 that this delirious party music experienced a piano-driven coming of age. so far, so spangled. but while that may be the official story, there are other italian narratives too. take francois le roy and nanni for instance - two djs and producers from southern italy for whom, in the early nineties, the likes of aphex twin, autechre and air liquide were important, alongside the machine funk of detroit and the immersive soundtracks of the ambient generation. both artists are steeped in underground club music, and their new release on shabby doll records is a fine example of tough, tech-edged house. the *crossing roads* ep features four tracks that showcase their melodic yet relentless groove, they may be based in milan, but on this record, the influence of detroit, chicago and new york runs deep.

mike gill who has already featured on roots for bloom teams up with taymor zadeh to bring us the coppin a feel ep featuring a john dimas remix. the a side *coppin a feel* brings us hard hitting groove with a hypnotic vocal line carrying the track. loose percussion and bold tom drums really cement this to work on any dance floor. the b side cut *the message* is a more rolling groove with a strong rhodes line that features later on really making the track evolve. john dimas takes *the message* and takes the atmosphere up a notch, with slick cut up vocals. this one will work in the early hours.

moonshine heater is the debut release from marlowe, a new studio and live project from laurent bovey (aka laps). the title track is a crisp and melodious piece, the mechanical groove bubbling with dubby fx and heavy synth shots against the hypnotizing melody

the groove-ingredients like slap-bass, diminutive vocals & these refined melodies provide the seasoning.

funkwerkstatt-saenger dan morro wandelt auf solopfaden. wohin? in eine musikalische welt, deren hohe atmosphaerische dichte zwischen poppiger leichtigkeit und tiefsinniger melancholie oszilliert. es sind klassische songs, die er hier unter dem namen >i am halo< vorlegt. denn immer ist es die textur seiner einzigartigen stimme, um die herum sich rhythmen und melodien kristallisieren. dies geschieht mal mit tanzbarer, mal mit eher bedaechtiger dynamik, mal mit orchestralen motiven, mal mit elektronischem gefrickel, aber immer mit ganz viel gefuehl und stimmung. so ganz allein ist >i am halo< uebrigens doch nicht unterwegs. the micronaut steuert einen remix zu little planet bei, in dem die jazzige vertracktheit seiner beats immer wieder punktgenau auf der eins landet. gluid hebt unter die fließende melancholie des titels not invented gradlinige rhythmen, die das symphonisch anmutende original voll und ganz tanzflaechenkompatibel machen. und mollono.bass arbeitet sorgfaeltig die sonnigsten aspekte von queen of queens heraus um sie zu einem ungezwungen groove zu verdichten.

various artist from the earth mothern family. rks, austerity, js and zero gravity saga for the first volume of the tape fresser series. rks open the ep with b3rln2 a deep, techno track, based on a solid groove and a stellar pad. the new secret project austerity closes the a side with a raw-tech-funk-balearic jam, highly recommended for every floor. b side starts with seven words, sharp drums and a soft female voice, exclusive js style. the last track of the ep is pink flamingo of zero gravity saga a new anonymous project based in berlin, pure acid destruction mixed with heart

yukazu, a band formed by lenuschka krueger and mike hermann, look to combine the charm of french chanson with gypsy balkan groove. the band was completed with the addition of rafaele castiglione who united the group like a kindred musical spirit. he reworked each track affectionately, telling his side of the story so you can look at it from a different angle.

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

es ist geschafft, der wohlbekannte berliner club ritter butzke startet sein hauseigenes plattenlabel! den anfang machen der langjaehrige resident mario aureo und sein schweizer kollege manuel moreno, welcher im legendaeren hive club in zuerich sein zu hause gefunden hat. der titeltrack >autumn bell< ist ein durch praegnante sub- und lange lead-baesse getragener house-track, der vor allem durch die eingängigen vocals und seine atmosphaerischen pads, auch noch nach einer langen umtriebigen clubnacht, im gedächtnis bleibt. die dub version von >autumn bell< ist dahingehend etwas reduzierter und fokussiert sich auf den groove, ohne dass dabei die energie des originals auf der strecke bleibt. die b-seite ist mit >arosis< etwas deeper gehalten und besticht, trotz vieler string-variationen und filterverlaeufen, durch seine unaufgeregte grundstimmung, die den track fast zu jeder tages- und nachtzeit spielbar macht. dazu gesellt sich ein remix von bachstelzen-urgestein und ursl-mitbegruender sebo, der das thema etwas minimalistischer aufgreift und durch zusätzliche vocals und ein sehr abwechslungsreiches arrangement eine ganz eigene sound-welt, in der man sich wunderbar verlieren kann, erzeugt. der grundstein ist somit gelegt und in den naechsten monaten werden weitere spannende veroeffentlichungen von kuenstlern aus dem ritter butzke umfeld folgen.

little black book is a new concept series from moda black, part album, part mix compilation, part remix package, part crate digging expedition, the series will play host to some of the most interesting, exciting and innovative electronic music artists and will invite listeners into a more personal place than ever before, as the conducting artist creates a body of work that reflects on their past success whilst venturing into their future aspirations. who better to launch the series than moda black s dynamic talent hot since 82, with this two track 12 sampler laying down an exciting primer for what to expect from a unique new series

we are back with the second vinyl edition solid ep this time we have istanbuls finest techno dub master and co-founder of sublime porte, ismail genc (havantepe, raw, devante) he provides us with 2 original track and we have two amazing remixes from saso recyd and s.eelzi.
the original tracks solid and east are a perfect mixture for, ranging between gently moving sounds, pulsating structures, deeply touching melodies, playful minimalism, and proper dub techno ... the remixes maintained their focus on the dancefloor, every version has its own special touch recyds version could be described as harmonious tech-house, creating a special mood with lots of synths and strings. headhoncho elezi created a rhythmic remix with shuffle beats melodic baseline wicked groove that will work in any peak time.

pareto park presents the first collaboration between george lanham and david meiser with the pair serving up a blend of abrasive modern techno and classic influences. the opener distress sets the tone and grabs the listener from the start with its moody vocals punctuating a sinister beat. lanham s cabot cove syndrome hits hard with a growling synth lead, pushed forward by a building siren. whilst rising entropy and co operation 1 both reveal the duo s mills influences, yet aimed at modern club play. a strong ep with the vinyl release featuring 4 additional locked grooves.

disco deviance return with two big-hitting reworks from label favourites pete herbert & dicky trisco. these two disco brothers travel the globe in pursuit of the killer groove and both of these joints are guaranteed to rock any dance floor. 100% reworked, sonically enhanced and ready to make you dance. enjoy the music!

*** only 1 copy per customer!!***
fresh from inaugurating his new wildheart imprint with a killer collaboration with tony allen, cult motor city producer theo parrish (sound signature / 3 chairs) maintains the languorous, dreamy vibe of malas original but opens out the groove, allowing the south londoners warm sub-bass to flex its muscle. the bass weight is tempered by deep, mantric keys, the soft choral vocals of sexto sentido, and dreisers spiritual incantations

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

this is the vinyl edition of tigerskins album >all those goodbyes< this special vinyl features 3 exclusive tracks that are not on the cd version of the album. the essence, out of breath and the king always stays the king are three club bangers that will destroy your floor.

for serkals eleventh release, we are proud to present the revolver beatz ep. living up to his reputation as a skillful tactician in the studio, the russian king of funk tripmastaz has provided us with three of his latest groove filled productions.

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

rawthenticity is back with a brilliant 3 track vinyl ep produced between france & japan by fulbert (foul & sunk, soul notes), miruga (balance, ethereal sound) & toni be (soul notes, remote). serious deep house cuts from the edge of disco to more dub techno infused sound.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

the manic brothers ep begins with praying mantis , a deep techno offering using a swelling bass line that rumbles under the track whilst the distinctive synth phrase shifts the groove of the track. life after life is a more euphoric and delicate take on techno and uses subtle percussion and melodies to create an ethereal felt track.

the title track for schallbox015 is delivered by none other than label boss steve cole himself. with a driving groove, playfully set chords and vocals by her majestys sound (aka alexander friedrich), the original version asks every dancer for the *last dance*. or then, is this just the beginning the cast of remixers, consisting of rené bourgeois & dan caster, as well as the glitz, lines up in perfect sequence and will again set every dance floor on fire!

oneoffs volume 3 offers just like the previous volume four new cuts from four different producers. first up we got swedish producer jonas rathsman and *yes i am*, a lush deep house track that is both heartfelt and sublime. let it breathe on a large sound system for maximum effect! ending the a-side is duo twinpeaks funk-fuelled ride *not that tech house - dj tool dropped by paris hilton you were searching for*. a track that would fit right into any peak time set, even by paris hilton. want from pixel82 is a punchy track with its scattered synth chords, jerky hats and a thick groove followed by *life is a gamble* where jesse futerman takes us on a soul inspired journey of deft sample manipulation

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

the fat dog label returns for its second outing with yet another confident four tracker designed for both the head and the feet. the proceedings begin with the sublime moonrunners. introducing contributions from new artist spooner, the production duo use their hardware to take us to the very craters with this bubbler of emotive deep techno with dissonant house touches, d link (fat dog & ny*ak) continues the basement feeling with urnogud4me, albeit at a slower tempo but still keeps the floor burning with an unsuspecting, intense voodoo-house mystery. this is raw club music. side b we head straight onto a greasy dance floor called werk. lush pads intermingle with breathy flute stabs while the building groove consistently nags attention from your feet. stop teases us back onto the slo-mo dance floor yet again with another scorching deep house groove for the hips with a subtle funk to be desired at the disco as well as the deep room. limited copies!

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

second release for the athens based recording label lower parts and debut 12inch for the also athens based producer faint object i. three tracks flirting with the dancefloor sound, filled with space boogie vibes and dub infused house stories of darkened figures hypnotized by his magical, uk-influenced dancehall rhythms. startling by all means .only harmony seeds an extra deep subtle warm techno track , some dub influences but brighter beats too for house appeal. tropical sting an electro influenced track , stiff and sharp drum groove , and sizzling analog synths if six was nine is the closing bang, a darkened techno-dance steroid that never lets go its melodism for the shake of the form. aggressive like a machine gun and unearthly cosmic like it has been conceived in the twilight zone, this is a haunting piece of pure bliss! plus it offers one of the best twists in a track that youll get to hear recently mastered by helmut erler and cuted at dubplates & mastering a limited edition of 200 pieces printed in a unique iridescent sleeve illustration by chris ioannou

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

3 x 12 inch lp featuring 11 full length tracks in all their glory coming in a beautifully designed spined sleeve holding all 3 vinyls from the release.

brad peterson, the talented producer from edimburgh, uk, creates a groove-laden atmosphere in its beats and a wholly mental climate with deep pads and chords, with fabulous energetic tension. in the other side banfield audio plays with hypnotic analogues basslines and deep sounds of pads, without stopping moving into the depths with its earth heart.

is it balearic drop a 10 inch slice of acid house perfection from one of the true masters of the genre in foolish felix dickinson! *ousana* grows slowly over a driving house beat as warm synth pads and synth leads take the track along nicely with a subtle acid line until the bassline drops. a vocal refrain joins the groove seductively cooing *i want to take you home* over the acid layers that develop in deeply hypnotic fashion. straight into the basement. on the flip coyote take the tempo down, bring out the percussion and create a balearic acid stomper. bleeps dubbed out vocals all swirl around the percussive rhythms then the acid line drops subtle and reminiscent of a certain acid house classic. early doors or at the beach bar for this mix.

the prospect of a music is love release has become an increasingly notable proposition for electronic music fans with their assured consistency of groove-heavy beats having already resulted in four high-grade releases. the label has effectively cemented their reputation as a trailblazing imprint for fresh sounding house and from the introduction of new jack city through to the much hyped maxwell, their latest rendition further emphasises their status as reliable purveyors of effortlessly deep, contemporary house.

evensloped is back again on 9volt. paul.groove and lars gustavs new 12 inch is an per(c)fect mix of raw techno, driving grooves and a bit dirtiness. rumbling basses, mind blowing breaks and the exceptional sound design will keep you at the floor. prime time techno at its best.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

after the recent success of their expansive debut full length on idle hands and while they bask in the glory of their recently well received resident advisor podcast, jacob hodge and matt lambert push on with a new ep on bristols futureboogie. to date outboxx have fomented their own ebullient house style that is imbued with a keen sense of uplifting melody, plenty of analogue dust and some heavyweight bass, largely on bristol based labels, and this new ep sees them continue in that fine form.

major people is a new label from santiago salazar. the debut track *new beginnings* is more of a theme song for salazar as he introduces the major people label. modulating synthes can be heard throughout the track and the catchy bassline will warm any dance floor.
*technik* is a slice of sleek, contemplative techno that is far out on a late-night tip, leaving only a bouncing bassline and skipping tech-house beat to hold down the groove amongst the tune’s more ethereal sounds. on the remix, chicagos defend:r (ricardo mirandas alter-ego) takes apart the original to form a hybrid electro style remix laced with sub bass grooves and just the right amount of synths to take it to the next level.
this is the beginning of much more to come from major people.

wbeezas first release on his own label, pfly music. two cuts. a side perfect high is a deep jam that kicks. b side i like it is a hard and heavy jacking groove with a delicious vocal sample. killer cuts

seb zito steps up to the plate for the next release on fuse london with his never ep. title track never delves deep with a moody atmospheric groove whilst sub dubs 111 toughens things up with a stripped back flavour. on the flipside, remixes of never see enzo siragusa and rich nxt inject a d&b style b-line whilst ben rau brings a melodic vision to his version.

messalina records return with a fantastic ep of eclectic dancefloor bubblers from fellow we love space residents jamie fatneck low and lucci capri (aka dj callum). first up is the eagerly awaited vinyl release of fatnecks incredible acid rework of michael jacksons classic billie jean, highly in-demand since receiving heavy rotation from greg wilson (the only dj lucky enough to have a copy) who nicely sums the track up...i love the way fatneck has put a somewhat psychotic twist on billie jean via his acid interpretation - inspired west yorkshire wacko madness! next up lucci capri delivers the quirky balearic chugger dame un beso, with super-sweet latino lyrics and a great reggae-influenced swing. flip over for the beautifully understated because today i saw u which melds a cool deep house groove with esther phillips yearning vocals. rounding off the ep in style is fatnecks superb dancefloor-friendly edit of the aretha franklin version what a fool believes. great stuff - welcome back messalina!

more techno-house hybrids from the australian based crew, sticking with the family oriented approach. baby, don t you sounds like something we ve grown to expect of freddie norwood, approachable and female friendly, with a hefty injection of muscle in the bottom end. lies rides out a peculiar and twisted groove up the climax, what happens after that is up to you. mic mills hits strong with the disco-not-disco moretti. mbm round things out with the bong song, suitable for dance floors and communions alike